Showing posts with label Anna Hammonds. Show all posts
Showing posts with label Anna Hammonds. Show all posts

Tuesday, March 25, 2014

Being Bohemian: Anna Hammonds

BoHo Theatre Artistic Associate Anna Hammonds, on what it means to be bohemian:

During a rather quiet rehearsal of Floyd Collins years ago, I watched as actor Jim DeSelm pretended to be trapped by a rock while Jon Harrison sang over his shoulder about the hope of Daybreak. There was a moment at the end of the song where Jon placed his hand on Jim’s shoulder, and I understood that gesture was the only way those brothers could connect with one another in that imaginary world of a cave in Kentucky. It was in a rehearsal room. No one else was in the audience that night, but I felt like a fool as a tear ran down my cheek.

There’s no way for me to understand what it feels like to be trapped underground with no light or warmth around me. But as I watched these two actors quietly and effectively display the love between two brothers, I thought of my own dad and his late brother. As we were producing Floyd Collins that summer, my uncle was dying of cancer. Although he had no earthly means of saving him, dad was able to share hope and love and light, and even an occasional touch on the shoulder to let my uncle know he was there for him.

Truth be told, I hate it when actors say they believe theatre allows the audience to forget their troubles and worries, providing escape from the real world. I believe the exact opposite should be true. If it's good theatre— great theater in fact— it should pull the audience's heart and not let go, assuring them that it is good to laugh from the gut or mourn or fall in love or fight for a loved one to survive.

During my time at BoHo, I have partnered with artists who don't shy from connecting with an audience, whether the backdrop was a drought of the 1930s, or that lonely broken down grill in the dead of a Wisconsin winter. BoHo artists bravely carry that transformative storytelling power that surpasses geographical or cultural boundaries. We really are all connected by the most basic needs and yearnings of wanting to love and be loved. Being Bohemian is to be a brave storyteller, one that is not afraid to share pain or joy in a very real and honest way with patrons from all walks of life. While seeing a production won't cause a soul to forget troubles outside the theatre walls, I hope it reminds them that they are not alone. We are all living out a shared experience of joy, heartache, struggle, wonderment, beauty and love. I am proud to be a part of BoHo Theatre, a company rich with brave storytellers.

Throughout BoHo Theatre's milestone 10th Season, BoHo company members will be revealing what being "bohemian" means to them. What does Bohemianism and BoHo Theatre mean to you? Let us know in the comments or on Facebook!

Tuesday, September 4, 2012

Spitfire Grill: Laura Savage, Inside the Process of the Actor & the Yogi





 “Did I mention that I spent the last five years in Prison? And I only got locked up solitary three times. Imagine that.” -- Percy



People are often curious to know how actors relate to the characters we portray. For me, it’s all about observation: what does it take to imagine a prison sentence? When I received the role of Percy, I was unsure of where to begin. How could I possibly comprehend everything that this woman has gone through? I will admit that I watched a few episodes of “Beyond Scared Straight” which features inmates giving at risk teens an up close and personal prison experience. This was a great start for me- to see the isolation that Percy endured. But incarceration is not the worst of Percy’s harsh past. How was I to delve into her darkest secrets, and more importantly, how was I to bring her experiences to life? The path for me, believe it or not, is through yoga.


“I will positively receive what the universe brings to me.”

This has been my mantra for the past five years. Living day to day with this thought has had an enormous impact on my creative process. It has made me what I call a “hyper-observer”. Yoga allows me to release daily stressors and see the world more openly. The batman tattoo on your husband’s arm, is it on the right side or the left? Your co-worker with that boisterous laugh, does the inflection rise or fall? These are the observations that help actors to create fully realized characters. Whether we know it or not, we are all learning from each other all the time. So next time you order that cup of coffee, take a glance at your waitress. She may just be your next inspiration.

-- Laura Savage is a Chicago based actor and yoga instructor. She is grateful to everyone who inspires her daily and cannot wait to share Percy’s journey with you. The Spitfire Grill runs September 14- October 14 at Boho Theatre’s Heartland Studio.

Tuesday, April 3, 2012

The Rainmaker: Anna Hammonds Explains Why Everyone Needs a Rainmaker

Every person needs a Rainmaker. Whether it be a friend who encourages, an advocate who gives confidence, or a significant other who unconditionally loves beyond faults, we are all in search of someone who will make us believe we are worthy of having simple, wonderful things.  Such is the case with Lizzie Curry, a girl past the prime of courtship, on the brink of losing hope that her dreams will come true.  I have had a wonderful time rehearsing this role, and I have found that at the heart of who Lizzie is, lies every woman’s story.

From my perspective, this piece is a sort of homage to a time when women were given worth solely by their roles as a homemaker and a wife.  Lizzie has a wonderful honesty that sets her apart from other women of her day, but at the heart of who she is, she secretly longs for someone to know her and consider her beautiful apart from her two brothers and loving father.

Now, in the year 2012, I am a woman who is enjoying the independence and luxury of choice that so many women have gone before me fought hard to gain.  A woman’s worth is no longer found in only her husband or how she stitches a dress.  However, over the course of history, nothing has changed the fact that women are still in search of someone to believe in them, outside of those who are seemingly obligated to want good things for us.  We want to be considered beautiful by an outside source. But more importantly, in Lizzie’s case, we need a rainmaker to help us believe it within ourselves that we are, in fact, beautiful.
I am overwhelmed to share Lizzie’s story in this simple, timeless story!

Hope to see you there!

-- Anna Hammonds is thrilled to portray her real-life family dynamic as she is the sister to two brothers and daughter to a loving father.  Her amazing mother taught her how to clean a house, but also encouraged her toward her dreams.  She dedicates this show to her family, and to the Rainmakers in her life who help her believe.

Wednesday, October 12, 2011

My Corner of the Sky: From Assistant Director, Anna Hammonds

I have lately become fascinated with how process works when an actor is fighting for the life a character during rehearsals.  With the great opportunity to assist for Boho's up-coming production of Pippin, I have a front row seat to the actors working through their process.  They are doing a fantastic job of staying focused and professional, and I am delighted to see them really fight for the character's journey.  

Perhaps the most intriguing part of this rehearsal process is seeing actors Shaun Nathan Baer and Travis Porchia define the dynamic between their two characters.  Playing Pippin and Leading Player, respectively, they carry the weight of the show on their shoulders.  And they are doing so with grace, concern and the utmost care.  There is a sort of protectiveness that happens when an actor truly cares for his or her character.  I believe all the actors in Pippin are doing an amazing job of protecting the integrity of the playwright's intention, while crafting a unique and different take that is all their own.  

The journey has been amazing thus far, and everyone's process has been so enlightening to watch.  Director Peter Marston Sullivan's vision for the show has been inspiring to watch unfold, and Brenda Didier's choreography has made me squeal in rehearsal.  And I'm not kidding.  A couple of times she has asked what was wrong when such outbursts occur, to which I can only reply, "It just looks so good. I can't wait."  And that is the truth.  I can't wait for our audience to join us.

For more information on BoHo's production of Pippin, please visit our website and don't forget to buy your tickets. We look forward to seeing you there.