Monday, October 12, 2015

A Change in Perspective: by Tony Churchill

The following is a guest post by scenic designer Tony Churchill, who has designed video projections for BoHo's Ordinary Days and Dogfight.

I got on board for Ordinary Days pretty much how everyone gets a design job in this business: I knew the director. Working with the BoHos really surprised me and turned my view of this thing I’ve been doing for almost 20 years upside down; I never thought so much of my reality would be altered.

By the time tech for Ordinary Days rolled around, we started cuing the show right after a huge snowstorm and it was pretty much the usual crew when we started. As the day progressed, more and more people showed up. Some nice lady with an infectious laugh and delicious baked goods. PR guys who were super nice, and weirdly helpful. “Hey I’m here to take some pictures for Facebook, oh do you need help moving those walls?” And then the head Peter (I had met six or seven Peters with some kind of title in the company since the first production meeting). All of these personalities filled the room and it was a little unnerving. I’ve been on shows where they end up being directed by committee, and it NEVER works out. Who do you listen to? Do you follow the herd or try and make your own voice heard? It was unnerving.

By the third day of tech, I realized that this is what collaboration was supposed to be. Everyone wasn’t in the space on their own thing, they were in the space on a common thing. At face value, it's a bunch of crazy and committed - and beautiful - people who shouldn’t be able to find a cab, let alone put up a show. But they are so happy to be there that all the crap sort of peels off and you realize you're working in this perfectly collaborative place. The people in the room are working for the show and nothing more (or less). They want the show to be the very best thing it can be, not because of vanity, but because of pride. They're so happy to be free to be making something beautiful and true that they love.

After Ordinary Days, Peter Prime, AKA Peter Marston Sullivan, introduced me to Dogfight - which I had never heard - and I connected to it so quickly because my Dogfight experience is my BoHo experience. I value a lot of things in Dogfight, but where it gets especially hard is when it shows how a lot of men see women and it doesn’t pull any punches. It’s a hard portrait of how guys deal with their fear and insecurities. I think this is an obvious show for BoHo because they’re so good at coping with fear and dread that theatre companies often face and fail at overcoming as a cohesive group with a common goal. There is no job too big for the group and no job too small for any individual. It’s something you experience in spurts when working in a collaborative space like theatre, but it’s a rare a beautiful gift to find it so alive and well with an entire group again and again.

I’m thankful every time I’m able to work with the BoHo family because it reminds me what this whole thing is about. Their work is their pleasure - twenty-four seven, three sixty-five, they never close - and their passion is veritas. I’ve seen green interns on their first pro gig, making nothing but friends and memories, step up and single handedly do the work of four professional stagehands. I’ve seen the most senior member of the family take off their jacket and pick up a paint brush to get a set piece finished in time. It’s because you can feel it from the moment you’re in the room. You know - definitively - that you’re a part of something. A community. A family. A group of people who will not quit on you.

You want to do your very best because they want that from you too, and the BoHos will do anything - simply, quietly, beautifully - anything you need to be your very best. They challenge me gently and earnestly. They make me want to tweak and work things to death, because I can’t bear to let them down. That’s something you don’t find in every place - you don’t find it almost any place. If you get to work with BoHo, or you just support them by seeing the work, you’ll feel what I’m talking about too. This commitment - even in the hardest of times - is what it takes to make a show like Dogfight work. Boho is fearlessly committed to the truth - and love and beauty and freedom - because they go at it together. It’s not some silly mumbo jumbo - it’s real for them and everyone who gets to work with them. There’s not a lot of other companies that could make this piece work, because more often than not, most theatre companies shy away from the truth, especially when it’s tackling such difficult subjects.

At its core, theatre is pretty dumb. We’re not saving anyone’s life. We’re not feeding the hungry or healing the sick. We’re not even making anything lasting. But theatre at its best - like BoHo Theatre - is something that is vital to the human condition. It nurtures the soul by giving people something human that humans have always needed. A little time to tell stories with each other. More than 2000 years ago, the Greeks would build theaters next to hospitals because they believed these places were equally important to healing - one the body and one the soul. This is what I look for when I’m making theatre and it’s not easy to find. BoHo has it in spades. They sweat it out when they take over a space and make it a theatre - a real theatre. It’s the core of why theatre is one of the oldest traditions we share as humans. And it fills me with joy to be with them every time we make something together. Join, play, love.

-Anthony Churchill, Set and Media Designer

Friday, October 2, 2015

Why did our Artistic Director choose DOGFIGHT?


Peter Marston Sullivan headshot "The first time I listened to Dogfight, I was on a road trip on my own, listening to potential musicals for our 2015 season. When I finally popped in the cast recording, I listened to it three times in a row, each time growing more confident that this show was perfect for BoHo.

Dogfight starts as a party – dynamic full-cast numbers bursting with energy. The music is melodic and funny, driven and exciting. As I listened, I found myself caught up in the fun of the soldiers… then I slowly began to realize that this “fun” was misguided. I almost felt guilty for enjoying it at the start. But as the songs became increasingly haunting and heartbreaking, the show revealed itself to be an awkward yet charming love story. One woman, Rose – an ungainly, naive wallflower - has such purity in heart and spirit that she trusts, forgives, and ultimately loves unconditionally. Though perhaps not gorgeous in a conventional way, it became very clear to me that she is by far the most beautiful person in the show.

Peter Marston Sullivan leads the Dogfight cast in rehearsal
Peter Marston Sullivan leads the Dogfight cast in rehearsal

The response from our Dogfight audiences so far has been overwhelmingly positive. Yet there are still many people that have been wary of the show because of its central premise: a dogfight. One of BoHo’s staunchest supporters told me, “I knew what a dogfight was and found it repulsive.” And she’s right - it is. What I found so profoundly moving about this show - more so than the fantastic music and script - was how there was pure beauty to be found amongst this backdrop of repulsion. At a time, the 1960s, when we were so sure, so proud, and ultimately so na├»ve, when dogfights were commonplace and over 50% of the population had never heard of Vietnam, amidst all of that, there is one sole spark of beauty that contrasts all of the ugliness. The fact that it comes from someone that these Marines characterize as “a dog” is, in its own way, ironic and powerful.

In case you’re wondering what that same supporter felt after watching the show, her words may say it best: "Vietnam is part of my history, my era. Dogfight was sometimes outright painful to watch – even without the dogfight. Recalling how very certain all of us were, whatever our beliefs, it’s just heartbreaking. BoHo never flinched from that. It takes immense art and sensitivity to tell this story. You helped the audience find beauty [in it.]”

When you see BoHo’s Dogfight, what awaits you is a story that grabs you right from the start with energy and enthusiasm, laughter and immensely likable characters. What you leave with, I hope, is a feeling of beauty and love, comfort in the fact that even when there is ugliness all around us, there is always beauty to be found. This is why I love this show. This is why I wanted to tell this story.”

Peter Marston Sullivan signature
Peter Marston Sullivan
BoHo Theatre Artistic Director

Tuesday, July 28, 2015

BoHo Announces Bold 2016 Season

BoHo Theatre is thrilled to announce plans for its upcoming 2016 season. Building on its rich, 12-year history, BoHo continues to bring an eclectic mix of musicals, dramas, and classic plays to Chicago stages focusing on emotional human relationships. The company is dedicated to being an incubator for up-and-coming Chicago talent by creating safe, supportive artistic environments for our artists to experiment and grow. With these goals in mind, BoHo’s 2016 season will feature the innovative song cycle Fugitive Songs by Chris Miller and Nathan Tysen, a groundbreaking new adaption of Anton Chekhov’s Uncle Vanya by playwright Annie Baker, and the hit Broadway rock musical Next To Normal by Brian Yorkey and Tom Kitt.

The Season In Depth


Music by Chris Miller and lyrics by Nathan Tysen
February 11 – March 13, 2016 at the Heartland Studio

Fugitive Songs is an innovative song cycle focusing on everyday people on the run: a disgruntled Subway sandwich employee, a jilted ex-cheerleader, a pair of Patty Hearst fanatics, a stoner forced to rob a convenience store against his will, and many others. The writing team of Miller and Tysen blend traditional folk music with contemporary pop and gospel to create a moving portrait of restlessness in America. While many of BoHo’s shows have focused on the reasons people come together, this production instead looks at why people choose to run away from the relationships in their lives.

“The journey of running away can teach us about who we are,” says Artistic Director Peter Marston Sullivan. “Too often, we’re not running from another person or a situation, we’re running from ourselves and the hard choices we need to make. To me, it’s when we realize why we’re running and stop that we find true freedom.” Following on the success of BoHo’s previous intimate musicals Myths & Hymns and Ordinary Days, Fugitive Songs will be staged at the company’s Heartland Studio space in Rogers Park and will open during Chicago Theatre Week.


By Anton Chekhov
in a new adaptation by Annie Baker,
working with a literal translation by Margarita Shalina and the original Russian text
May 25 – June 26, 2016 at the Heartland Studio

When the ailing Professor Serebryakov retires to the country with his new, beautiful, younger wife Yelena after a lifetime of posh metropolitan living, it throws his entire estate into turmoil. The estate originally belonged to Serebryakov’s first wife, and her mother, daughter, and brother still live there. Soon passions are flaring, with several of the gentlemen declaring their love for Yelena and Professor Serebryakov announcing his intention to sell off the estate. For as much as the family has lamented the stagnation of their lives, the introduction of change is even more frightening to them.

This intimate, immersive new adaptation of Chekhov's classic from critically-acclaimed playwright Annie Baker (Body Awareness, Circle Mirror Transformation, The Flick), brings colloquial language to this beloved story of human relationships and yearning. Written with the “goal of creating a version that sounds to our contemporary American ears the way the play sounded to Russian ears during the play’s first productions in the provinces in 1898,” Ms. Baker's Uncle Vanya introduces 21st century audiences to Chekhov's enduring wit, insight, and emotional depth. BoHo is excited to bring its trademark focus on character and relationships to this new work, focusing on the inner desires and turmoil that lives underneath the surface of our everyday lives.


Book and lyrics by Brian Yorkey
Music by Tom Kitt
Fall 2016 (dates TBD) at Theater Wit

The Goodmans seem to be an normal, average suburban American family. Dan is an architect; Diana rushes to pack lunches and pour cereal; their daughter and son are bright, wise-cracking teens. And yet their lives are anything but normal. Diana has been struggling with bipolar disorder and hallucinations for 16 years, and the strain of keeping this locked up within the family threatens to tear them apart. The harder the family tries to be “normal”—including medication and a variety of therapies—the farther they move from being true to themselves.

“What is so powerful about this show is not only the exploration of what mental illness does to one person, but also what it does to everyone around them,” says Sullivan. “The struggle to maintain identity and retain relationships in the midst of mental illness is what makes Next to Normal so fascinating… and so emotional.” Having taken Broadway by storm (Next To Normal won three 2009 Tony Awards including Best Musical Score and the 2010 Pulitzer Prize), BoHo is eager to bring its trademark intimacy and focus on characters to this affecting and timely story.

Season Memberships On Sale Now

BoHo Memberships are unique subscription packages that allow for flexibility in choosing productions and dates, as well as reserved seating and invitations to exclusive events. Membership packages for BoHo’s 2016 season are on sale now at or (866) 811-4111.

2015 Season Concludes This Fall with Dogfight

BoHo’s 2015 Season isn’t quite done yet! The 11th Season will come to a close with Dogfight, with performances beginning September 5 at Theater Wit. Tickets and more information are available at

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BoHo Theatre’s mission is to create bold theatre that challenges convention through innovative storytelling and unites artist and audience in the examination of Truth, Beauty, Freedom and Love through the lens of human relationships. Its vision is to create a shared community of artists and patrons in which all members are moved through art to make thoughtful, well-examined, caring relationships the highest priority in their lives.