Under his leadership, Blair helped steer the company through a dramatic period of growth and recognition. Having performed primarily in its intimate 30-seat home at the Heartland Studio in the Glenwood Arts District in Rogers Park for its first six seasons, BoHo Theatre became one of the inaugural resident companies at Theater Wit in Lakeview following its renovation in 2010. At Wit, Blair produced such hits as Big River, Pippin, The Rainmaker, and the recently acclaimed Floyd Collins, as well as the remounting of Big River at last summer's Theater on the Lake.
Floyd Collins, which closed its successful run on July 15th, was for Blair a high point and defining moment in his time as Executive Director. He and BoHo Artistic Director Peter Marston Sullivan had been enthusiastic fans of the show for years, prior to their involvement with the company, and BoHo's production and the overwhelming response to it was the perfect ending to his time as Executive Director. Floyd Collins garnered both regional and national acclaim, with the Wall Street Journal labeling it "a major event" and "a masterpiece," the Chicago Sun-Times declaring it "utterly enthralling," and WBEZ's Eight Forty-Eight proclaiming "BoHo's production is absolutely perfect."
Reflecting on his time with BoHo and the impact he has made, Blair remarks, "Even more than the shows, my relationships with the company members mean the most to me. Peter Marston Sullivan is a great leader and a great friend... I believe in the company and I want to stay affiliated with BoHo"
Remarking on their artistic partnership, Sullivan believes that BoHo "has proven itself capable of producing incredibly challenging shows in all categories, and we have continued to build our reputation as a successful company. Our 'success' is in both the process and the product. Yet the family we've fostered at BoHo is what is most successful to me."
Blair is stepping away from the Executive Director position to spend more time with his family and allow for a new voice in the company's leadership. "I think that as an ensemble," Blair says, "the responsibilities (and rewards!) of the company should be passed around. My successor, Kaela Altman, is extremely smart and capable and I can't wait to sit back and enjoy her productions. "
Her first goal in her new position will be to focus BoHo's strategic plan for the future and strengthen its ties to its community, including partnering with local schools to introduce more students to the power of the performing arts. "I think BoHo is an important pillar in the Chicago Theater Community and I'm excited to broaden our reach and champion our contribution in the coming years," she says.
Artistic Director Sullivan is also excited to begin the next chapter in BoHo's story. "Kaela's vast knowledge in arts management and marketing will be invaluable to the company," he says. "Her drive, passion, and leadership boosted her quickly to the top, where she can implement a multitude of strategies to make BoHo even more successful."
"We've also been a company largely run by men in leadership positions," he continues. "This is an opportunity to have a female voice guiding how BoHo evolves in the coming years."
Altman's first production as Executive Director and lead producer will be The Spitfire Grill by James Valcq and Fred Alley, which will open BoHo's 2012/2013 Season on September 16th and represent the Bohemian Pillar of Freedom. The Spitfire Grill will be produced at BoHo's old home at the Heartland Studio in Rogers Park. "One of our strengths is the intimate quality of our productions, and returning to the Heartland Studio is the best way to serve the art in this production," explains Sullivan.
Read more: http://chicago.broadwayworld.com/article/-BoHo-Welcomes-New-Executive-Director-20120731#ixzz22EZFMRbD