I've never seen Pippin. My only exposure to this show was in high school (so very long ago). I saw a musical review where "Corner of the Sky" was performed. The song had quite an effect on me, especially at that time in my life. "The world is my oyster, and my young life is filled with optimistic possibilities! I think I'm meant to search for 'extraordinary', and goddamn it, I'm gonna find it!" And...here I am now - older, cynical and downtrodden. No, I kid...but I know what it feels like to wake up with doubt and lay my head down at night feeling beaten. When cast as Catherine, I was filled with immediate anxiety, remembering the hope I felt when the play first made its impact on me, and now getting the chance to take a stab at it as the woman I've become. Do I still feel like there's something special out there waiting for me? How do I approach this adventure with the scars I've gained?
I think what's so beautiful about this play is that every single character has a different definition of "extraordinary". This isn't just of story of a boy finding his purpose. Anyone could do that with a little determination. But in this world of ours, and Pippin's, we come in contact with different folks everyday that shape, change and define who we are. Even if our dreams remain intact, we never know who is going to turn the corner and possibly alter our outlook. And what I love about our director's approach to this Pippin is that we aren't presenting one-dimensional musical theatre caricatures that dance some Fosse and sing some Schwartz. Peter urges us to fill this world with complicated, confused, multi-faceted and imperfect human beings each searching for their own definition of "extraordinary", all the while effecting one another and navigating/educating/seducing/accompanying Pippin along his way. The more complex our characters are, the more marvelous, passionate, and entertaining the journey will hopefully be to our corners of the sky. That's our ambition, anyway...
So far, my road as Catherine has been paved with a combination of frustration and surprising realizations. I'm trying to embrace her/my flaws and always be aware of her/my wounds while I continue the search. And I'm thrilled this is my first full experience with this play. I wouldn't want to have created Catherine as the hopeful, young, optimist I used to be. Where the heck is the fun in that?
-- Dana Tretta has been an actress in Chicago for the past 8 years. She loves to pet and hug as many dogs as possible and attempt cooking with her friend, Bethany Thomas.
Friday, September 30, 2011
Wednesday, September 28, 2011
My Corner of the Sky: My Artistic Transition
It's funny, because the corner of the sky I have discovered is different then where I thought it would be. That transition happened in college when I met my mentor - Linde Herman who was my professor. I had always wanted to act, but it was through her that I gained a love and respect for the craft, and the art of being a teacher. She directed the children's shows at our college and that’s where my love for that began - because whatever Linde did was gold in my eyes! I never in my wildest dreams thought that I would have my very own theatre company- Li'l Buds, never mind a children's theatre company at that! And to have a performance career as well as having the privilege to pass on the craft (and love of the arts) to children and possibly future performers? Well, that's a corner of the sky that was way higher than I was reaching for.
All actors have their dream roles and Pippin is a show I have always wanted to do. I never thought I would be Fastrada, though. I had only dreamed of being in the ensemble because I loved the music - and the Fosse! It's such a challenge to take on roles were created by iconic performers like Chita Rivera. However, the same story can be told in different ways by different people, and the process of finding my Fastrada has been influenced by the storytellers: Director, Peter Marston Sullivan and Choreographer, Brenda Didier. My sense of discovery continues to be influenced by the creative themes as well as my scene partners. I still have a long way to go, but I can see my Fastrada in that corner of the sky.
Jenny Lamb (@ripskintinkle ) is a Chicago actress co-founder and Artistic Director of Li'l Buds Theatre Company and a Teaching Artist at Second City. She will be playing the role of Fastrada in Pippin.
All actors have their dream roles and Pippin is a show I have always wanted to do. I never thought I would be Fastrada, though. I had only dreamed of being in the ensemble because I loved the music - and the Fosse! It's such a challenge to take on roles were created by iconic performers like Chita Rivera. However, the same story can be told in different ways by different people, and the process of finding my Fastrada has been influenced by the storytellers: Director, Peter Marston Sullivan and Choreographer, Brenda Didier. My sense of discovery continues to be influenced by the creative themes as well as my scene partners. I still have a long way to go, but I can see my Fastrada in that corner of the sky.
Jenny Lamb (@ripskintinkle ) is a Chicago actress co-founder and Artistic Director of Li'l Buds Theatre Company and a Teaching Artist at Second City. She will be playing the role of Fastrada in Pippin.
Monday, September 26, 2011
My Corner of the Sky: A Part Worth Waiting For...
In 1981, The Grand Blanc High School escorted Theatre Department to a little road trip to the University of Detroit. We were going to see a musical I had heard about but knew little about – Pippin . And boy, did I like it. I bought the LP (which I still have), the book of musical selections from the show (now completely tattered), and put it on my list of shows I simply had to do one day.Thirty years later, the opportunity has finally arrived. Back then, I wanted to play the Leading Player or Pippin but I figured when the time came, I would probably play Charlemagne (Charles The Great). Once a character actor, always a character actor I guess…
It is very interesting to play a character with such an illustrious and expansive history. As an actor, I must carry that knowledge into rehearsals and see how the real history affects my work and the actors portraying my characters' family, the soldiers, and subjects. Then, I must embrace the characters' good side (demanding excellent education for his children) and his bad side (the man liked war and all its spoils). And finally, throw in some singing and dancing and make it all work - absolutely no pressure.
Of course, this production will give me the extra bonus of exploring the feminine side of Charles – I’d tell you more, but it’s a surprise. This is a challenging prospect that you probably should not miss.
So my long wait is over to do this show.
I’m singing glorious music and playing a character bigger than life.
And I couldn’t be happier!
Won't you join us?
-- Michael Kingston has been in Chicago for 20+ years and is pleased to be making his third appearance with Boho. Turn ons include: novels by Augusten Burroughs, total schlock on the SyFy Channel, and a good Maker's Mark Manhattan.
Labels:
2011-2012 Season
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Charlemagne
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Michael Kingston
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Pippin
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