This is a story of how a family comes
together and re-defines itself in the wake of impending tragedy. I experienced
this first hand when my mother passed away one day after Thanksgiving last year
(and a day before her 84th birthday).
My
sister, (who I hadn't communicated with in 15 years) came to Chicago to assist
with the arrangements. Not being sure how well this would go, I entered in to
the situation with complete trust in the good intentions that I knew would
possibly get me through this difficult time. Miraculously, all of the perceived
'built-up tensions' between my sister and I melted away as we reunited for a
common family purpose. My Father, generally rather stoic and non-emotional,
now, had a new found respect and admiration for the redefined family unit.
"I wish your mother could have seen this", he remarked, refering to
the newly built relationship between my sister and I.
This shifting family dynamic is what
fascinates me and attracts me to Floyd Collins...I truly believe that Lee, Floyd's father, loves his children immensely, but finds himself in changing times and doesn't
always understand their motivations. This was true of the relationship between
my father and I. Lee and my father? very 'old school'. Floyd and myself?...not
so much... As we work on this piece, it seems clear that 'truth' must be told
and 'freedom' should be alluded to...left in the hands of the audience member
to hopefully reflect on as they absorb this work. Whatever the reaction, I feel
confident that in the loving hands of Peter Sullivan, we have all come together
for a common good- to tell a story that isn't easy but might possibly make us
look to the sky for further answers and assistance- whatever you may beleive
in.
There is a pivotal scene towards the end
of this play that bears SO much information and really 'colors' the
relationships between Lee and his three children. In my work on this play, I
continue to come back to the 'family scene' to obtain more clues about the
Collins Family dynamics; over and over again. The escalating tensions in this
scene are further underscored by the family's mounting concern about Floyd.
It all comes back to Floyd.
"How many times I gotta tell him? Cavin' never comes to nothin'"...(pgs. 9-10)
Floyd lives within us all...a gentle
dreamer, a hopeful soul and a tireless laborer who knows that something more
exists; either 'out there' or within us...it is with his example that we can
all move forward to be closer to our own personal destiny. This is the
brilliant piece of work that Adam Guettel and Tina Landau place before us for
our consideration...how lucky we are to have this 'wake -up' call...and not a
moment too soon.
-- Russell Alan Rowe is a Chicago actor last seen in BoHo Theatre's production of The Rainmaker. He can be seen playing Lee Collins in Floyd Collins, opening June 15 at Theater Wit.
This is a beautifully realized sentiment from Russell Alan Rowe. I had the privilege of doing a show with him a long time ago, and I recognize the compassion in the voice. Thanks for another vision of a hopeful dreamer, Rusty.
ReplyDelete- Kate Goehring
I was friends with you sister and followed your work many years ago! Glad all seems well with you.... Would love an opportunity to catch up with your sister as well... Tell her Michelle sends her best......and tell her to find me on Fb... Same last name!
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